Russian Federation
The article is devoted to the linguocultural analysis of allusions taken from the nine J. Fowles’s literary works (“The Collector”, “The Magus”, “The French Lieutenant’s Woman,” “The Ebony Tower”, “The Enigma”, “Eliduc”, “Mantissa”, “A maggot”, “The Tree”). The aim is to show the linguocultural study potential, the format of which allows to partially describe a fragment of the English cultural archetype. J. Fowles’s discourse is helpful because allusions culturological component that takes place in the discourse of English authors allows to conduct such analysis. It touches the deepest layers of the cultural space of the English linguistic and cultural community. A national cultural space has the nucleus of both horizontal and vertical structure. The nucleus of cultural space is cognitive base. The deepest layers of a cultural space have archetypal representations expressed as prototypes and oppositions. Culturological markedness as the means of English-speaking cultural archetype explication proposes the discourse study as evolutionary adaptation of information exchange.
archetype, culturological markedness, culturological component, allusion, cultural space, cognitive base
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