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 <front>
  <journal-meta>
   <journal-id journal-id-type="publisher-id">Scientific Research and Development. Socio-Humanitarian Research and Technology</journal-id>
   <journal-title-group>
    <journal-title xml:lang="en">Scientific Research and Development. Socio-Humanitarian Research and Technology</journal-title>
    <trans-title-group xml:lang="ru">
     <trans-title>Научные исследования и разработки. Социально-гуманитарные исследования и технологии</trans-title>
    </trans-title-group>
   </journal-title-group>
   <issn publication-format="print">2306-1731</issn>
   <issn publication-format="online">2587-912X</issn>
  </journal-meta>
  <article-meta>
   <article-id pub-id-type="publisher-id">73285</article-id>
   <article-id pub-id-type="doi">10.12737/2306-1731-2024-12-4-96-103</article-id>
   <article-categories>
    <subj-group subj-group-type="toc-heading" xml:lang="ru">
     <subject>ЗАРУБЕЖНЫЙ ОПЫТ</subject>
    </subj-group>
    <subj-group subj-group-type="toc-heading" xml:lang="en">
     <subject>foreign experience</subject>
    </subj-group>
    <subj-group>
     <subject>ЗАРУБЕЖНЫЙ ОПЫТ</subject>
    </subj-group>
   </article-categories>
   <title-group>
    <article-title xml:lang="en">Problems and Countermeasures to Solve Them in the System of Dance Education in Colleges and Universities in China</article-title>
    <trans-title-group xml:lang="ru">
     <trans-title>Проблемы и контрмеры по их решению в системе танцевального образования в колледжах и университетах Китая</trans-title>
    </trans-title-group>
   </title-group>
   <contrib-group content-type="authors">
    <contrib contrib-type="author">
     <name-alternatives>
      <name xml:lang="ru">
       <surname>Го</surname>
       <given-names>Чжижо </given-names>
      </name>
      <name xml:lang="en">
       <surname>Go</surname>
       <given-names>Chzhizho </given-names>
      </name>
     </name-alternatives>
     <email>379617033@qq.com</email>
     <xref ref-type="aff" rid="aff-1"/>
    </contrib>
   </contrib-group>
   <aff-alternatives id="aff-1">
    <aff>
     <institution xml:lang="ru">Московский государственный университет технологий и управления им. К.Г. Разумовского</institution>
    </aff>
    <aff>
     <institution xml:lang="en">Moscow State University of Technologies and Management named after K.G. Razumovskiy</institution>
    </aff>
   </aff-alternatives>
   <pub-date publication-format="print" date-type="pub" iso-8601-date="2024-01-24T12:18:02+03:00">
    <day>24</day>
    <month>01</month>
    <year>2024</year>
   </pub-date>
   <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2024-01-24T12:18:02+03:00">
    <day>24</day>
    <month>01</month>
    <year>2024</year>
   </pub-date>
   <volume>12</volume>
   <issue>4</issue>
   <fpage>96</fpage>
   <lpage>103</lpage>
   <history>
    <date date-type="received" iso-8601-date="2024-01-11T00:00:00+03:00">
     <day>11</day>
     <month>01</month>
     <year>2024</year>
    </date>
   </history>
   <self-uri xlink:href="https://zh-szf.ru/en/nauka/article/73285/view">https://zh-szf.ru/en/nauka/article/73285/view</self-uri>
   <abstract xml:lang="ru">
    <p>Китайская нация имеет уникальные традиции танцевальной культуры, свойственные индокитайскому региону. Следовательно, танец – это обязательное явление культуры, в котором гармонично соотносится эстетика тела, эмоций и природы социальных отношений китайцев. Он сохраняет свою популярность и среди учащихся колледжей и университетов, так как способствует их всестороннему развитию. Поэтому танцевальное образование в колледжах и университетах имеет большое значение для каждого студента и заслуживает постоянного развития. К началу XXI века китайцы считают, что танцевальное образование в вузах страны все еще находится на начальном этапе становления, и оно множество возможностей. &#13;
Танцевальное образование в университетах Китая стремится соответствовать международным и мировым стандартам. И несмотря на это в Китае существует множество методов и практик обучения танцевальному искусству. Но есть и множество проблем, таких как упор на навыки, игнорирование теории, внедрение идеологической обработки преподавания и пренебрежение различиями в индивидуальных способностях учащихся и ориентация на их гармоничное и всестороннее развитие. &#13;
Традиционные технологии обучения и преподавания, присутствовавшие в ХХ веке, теперь воспринимаются как ограничивающие развития учащихся и студентов. Поэтому в начале XXI века в Китае стали улучшать общее качество преподавания танцев, а преподавателям предлагалось реформировать режим занятий в классе и/или аудитории для их облегчения и ориентацию на увеличение воспитательной роли танцевальных практик в обществе.</p>
   </abstract>
   <trans-abstract xml:lang="en">
    <p>The Chinese nation has a unique tradition of choreographic culture, characteristic of the Indochinese region. Consequently, dance is an obligatory phenomenon of culture, in which the aesthetics of the body, emotions and the nature of social relations of the Chinese are harmoniously correlated. It retains its popularity among students of colleges and universities, as it contributes to their comprehensive development. Therefore, dance education in colleges and universities is of great importance for every student and deserves constant development. By the beginning of the 21st century, the Chinese believe that dance education in the country's universities is still in its infancy, and there are many opportunities.&#13;
Dance education in universities in China strives to meet international and global standards. And despite this, in China there are many methods and practices for teaching dance art. But there are also many problems, such as focusing on skills, ignoring theory, indoctrinating teaching, and neglecting differences in individual abilities of students and focusing on their harmonious and all-round development.&#13;
The traditional technologies of learning and teaching that were present in the 20th century are now perceived as limiting the development of learners and students. Therefore, at the beginning of the 21st century, China began to improve the overall quality of dance teaching, and teachers were asked to reform the classroom and/or classroom regimen to facilitate them and focus on increasing the educational role of dance practices in society.</p>
   </trans-abstract>
   <kwd-group xml:lang="ru">
    <kwd>Хореографическое образование</kwd>
    <kwd>всестороннее развитие учащихся и студентов</kwd>
    <kwd>самосовершенствование</kwd>
    <kwd>профессионализм</kwd>
    <kwd>эмоциональность</kwd>
    <kwd>идейная направленность хореографической школы</kwd>
   </kwd-group>
   <kwd-group xml:lang="en">
    <kwd>choreographic education</kwd>
    <kwd>comprehensive development of pupils and students</kwd>
    <kwd>self-improvement</kwd>
    <kwd>professionalism</kwd>
    <kwd>emotionality</kwd>
    <kwd>ideological orientation of the choreographic school</kwd>
   </kwd-group>
  </article-meta>
 </front>
 <body>
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