The article examines the key ontological and aesthetic problems of modern philosophical understanding of being, in particular through the prism of naturalistic and antinaturalistic approaches. The author analyzes the complex nature of presence as a phenomenon that unites subject and object, as well as the role of art and poetry in revealing existence. It is proposed to think of being as a virtual foundation that remains beyond the limits of traditional empirical accessibility. Special attention is paid to the critical rethinking of classical metaphysical categories in the context of speculative realism and object-oriented ontology (in particular, the ideas of Graham Harman), as well as their connection with the cultural transformations of modernity. Based on the material of aesthetic images and philosophical concepts, it is shown that art acts as a space of presence and ontological expressiveness, recreating a dialogue between the visible and the invisible, the real and the virtual, the subject and the object. The article promotes the development of a discourse on the complex relationship between presence, being and aesthetic experience in an era of crisis of traditional ontological foundations.
ontology, presence, honthology, correlationism, modern philosophy, philosophy of art, aesthetic experience
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