Abstract and keywords
Abstract (English):
The methodology of Russian legal science has a poor understanding of such an interdisciplinary science as legal iconography and the iconographic (iconological) methods. This article focuses on the legal history studies and legal iconography. The current source-centric approach in the socio-humanitarian sciences requires a broader understanding of research subject and methodology. The history of legal iconography is an independent scientific direction, its main tasks being systematization and description. The author defines legal iconography as an interdisciplinary direction of scientific research that describes and interprets visual sources of legal content. The essence of iconographic method is the description of the general theme, the definition and attribution of details, and the interpretation of images, allegories, and plots. This definition is illustrated by numerous examples. The author also defined prospective areas of iconographic research in law. Iconological research includes three stages. The pre-iconographic stage is purely empirical and descriptive. The iconographic stage is theoretical and analytical; it reveals the direct content and meaning of the image. The author believes that the iconographic (iconological) method of scientific research in law and the prospects of legal iconography in Russian legal studies require further research and scientific discussion.

Keywords:
legal iconography, iconographic methods, iconological methods, legal history, methodology of legal science, legal source study
Text
Text (PDF): Read Download
References

1. Nevolin K. A. Complete works. Vol. 3: History of Russian civil laws. Pt. 1: Introduction. Book 1: About family unions. St. Petersburg: Tip. E. Pratsa, 1857, XVI+444. (In Russ.)

2. Yushkov S. V. The course of the history of the state and law of the USSR. Vol. 1: Socio-political system and law of the Kyiv state. M.: Gos. izd-vo yurid. lit., 1949, 544. (In Russ.)

3. History of political and legal doctrines, ed. Nersesyants V. S. 4th ed. Moscow: Norma, 2004, 944. (In Russ.)

4. Medushevskaya O. M. Theory and methodology of cognitive history. Moscow: RSUH, 2008, 360. (In Russ.) EDN: RWKKJL

5. Didron A. N. Iconographiechretienne. Histoire de dieu. Paris: Impr. royale, 1843, 624.

6. Warburg A. The great migration of images. A study in the history and psychology of the renaissance of antiquity. St. Petersburg: Azbuka-klassika, 2008, 382. (In Russ.) EDN: QRMURH

7. Panofsky E. Etudes in iconology. Humanistic themes in Renaissance art. St. Petersburg: Azbuka-klassika, 2009, 432. (In Russ.) EDN: QRNGAR

8. The art of law: artistic representations and iconography of law and justice in context, from the Middle Ages to the First World War, eds. Huygebaert S., Martyn G., Paumen V., Bousmar E., Rousseaux X. Springer, 2018, vol. 66. https://doi.org/10.1007/978-3-319-90787-1

9. Amira K. von. Die Dresdner Bilderhandschrift des Sachsenspiegels. Erster Band: Facsimile der Handschrift. Leipzig 1902. Zweiter Band: Erläuterungen. Teil I, Leipzig 1925 und Teil II, Leipzig 1926.

10. Amira K. von. Die Handgebärden in den Bilderhandschriften des Sachsenspiegels. München, 1905, 165.

11. Amira K. von. Der Stab in der Germanischenrechtssymbolik. München: Verlag der Königlichbayerischenakademie der wissenschaften, 1909, 180.

12. Mazur L. N. "The visual turn" in historical science at the late 20th early 21st CC.: the search of new research methods. Dialog so Vremenem, 2014, (46): 95-108. (In Russ.) EDN: SCYWJT

13. Maslov V. M. The philosophy of visual turn: from theory to practice. Philosophical Thought, 2019, (12): 39-56. (In Russ.) https://doi.org/10.25136/2409-8728.2019.12.31335

14. Morozova O. V. Methodological analysis of structure of iconographic and iconological methods in historical and architectural research. Bulletin of the Tomsk State University of Architecture and Civil Engineering, 2011, (4): 37-53. (In Russ.) EDN: OKLRAH

15. Shchipina R. V. Methods of art criticism: a historical review. Manuscript, 2021, (10): 2013-2023. (In Russ.) https://doi.org/10.30853/mns210390

16. Alekseev A. I. Legal reality in fine arts. Moscow: Iurlitinform, 2007, 124. (In Russ.) EDN: QQPVBP

17. Vishnevsky V. G., Rassolov M. M., Alekseev A. I., Averin M. B., Erokhina Y. V., Shershnyova-Tsitulskaya I. A., Malov Yu. K., Shmatkov I. I., Fedorchenko A. A. Law and the history of artistic culture. Moscow: IuNITY-DANA, 2012, 431. (In Russ.) EDN: VRRSHJ

18. Ivanova V. Ya. Methodological trajectory of the old Russian icon research: from iconography up to semiotics. The Bulletin of Irkutsk State University. Series Political Science and Religion Studies, 2011, (2): 235-242. (In Russ.) EDN: LQERVJ

19. Kovkel N. F. Methodological potential of semiotics in the study of new realities of legal communication. Legal communication of the state and society: domestic and foreign experience: Proc. Intern. Sci. Conf., Voronezh, 11-12 Sep 2020. Voronezh: Nauka-Iunipress, 2020, 110-117. (In Russ.) EDN: TLNDKE

20. Kovkel N. F. Prospects of the semiotic paradigm of modern jurisprudence. Scientific Artsakh, 2019, (1): 213-231. (In Russ.) EDN: RUPWBC

21. Kovkel N. F. Semiotics of law: the problems of defining basic concepts and selecting paradigm. Izvestiia vysshikh uchebnykh zavedenii. Pravovedeniye, 2017, (4): 38-59. (In Russ.) EDN: ZWJDWX

22. Choref M. M. Iconography iconoclastic emperors as a means of legitimizing power. Nauchnye vedomosti Belgorodskogo gosudarstvennogo universiteta. Seriia: Istoriia. Politologiia, 2015, (13): 56-62. (In Russ.) EDN: VAWGAP

23. Egorov A. S. Justice of Cambyses by Gerard David and the problems of iconography of "examples of justice" in European art of the late Middle Ages. Space of culture. Burganov House, 2009, (1): 120-133. (In Russ.) EDN: JXRGWR

24. Togoeva O. I. Thumbnails of legal content in the French chronicles of the 14th-15th centuries: between illustration and text. Liudi i teksty. Istoricheskii almanakh, 2021, (14): 112-137. (In Russ.) EDN: JPELPV


Login or Create
* Forgot password?